Show Choir Music
High-Energy Music for Competitive and Educational Show Choir Programs
Breeze Tunes offers one of the largest collections of show choir music in the world. For 15 years, show choir directors, choreographers, and music educators have relied on our catalog of more than 1,500 custom show choir arrangements and intuitive search tools that make it easy to filter music by voicing, function, theme, and musical style. Whether you’re programming a full show or selecting a single standout number, you’ll find professionally crafted charts designed to support effective programming and confident performance on stage.
The majority of our catalog consists of custom arrangements previously performed by competitive show choirs and will require additional permission from the copyright holders to be performed. If you wish to perform one of these titles or to request a new song be arranged, please contact us.
A select number of arrangements are availble for immediate purchase and download through one of our publishing partners (see the “Collections” tab in the search filters below). These arrangements are sold “as-is” and we will not be able to make changes or revisions. However, depending on the song, we may be able to publish a new voicing of the same arrangement.
For all titles, part-dominant rehearsal tracks or performance tracks can be purchased directly through Breeze Tunes. Further information can be found on our SERVICES page.
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From the short-lived TV series “Smash” this song translates perfectly to the show choir idiom. Available in SATB, SAB, and SSA. First performed by Franklin Community “Heritage Singers.” | |||
This costume change arrangement features a dynamite female solo with trio or ssa background vocals and the men returning after a dance break. It draws on elements from the original recording by will.i.am and Justin Bieber, as well as the live performance by Judith Hill from season 4 of The Voice and was first performed by Plainfield H.S. “Belles et Beaux” in 2021-2022. | |||
Kick off your show with unstoppable energy using this vibrant SAB show choir arrangement of Prince’s iconic hit “1999.” Perfectly crafted as an opener, this arrangement brings infectious rhythms, bold harmonies, and a fun, party-ready vibe that will immediately engage your audience and set the tone for an unforgettable performance. | |||
Despite the title, this arrangement clocks in at around 2 minutes 30 seconds, yet provides plenty of action in this fun take on Justin Timberlake and Madonna’s 2008 collaboration. First performed by Andover HS “Nothin’ But Treble” in 2020. Available in SATB or SSA. | |||
This power medley begins with the women, followed by a spoken solo, with the men returning for the dance break and conclusion. Could easily be re-arranged for SSA or SATB throughout. First performed by North Central HS “Counterpoints” in 2020. | |||
This arrangement follows the original closely and features a duet. First performed by South Windsor High School “Choral Spectrum” in 2022-2023. | |||
From Guys and Dolls, this short transition number has simple vocals but features a long instrumental section that can be used as a dance break or as staging music for a transition. First performed by Menchville HS “(M)Pulse” in 2020. | |||
This arrangement begins with a beautiful choral a cappella statement of “A Dream is a Wish Your Heart Makes” from Cinderella before transitioning into Debby Ryan’s punk anthem “A Wish Comes True Every Day” from Disney Channel’s Radio Rebel. First performed by North Central HS “Accents” in 2021-2022. | |||
From Jason Robert Brown’s “13,” this arrangement features a male/female duet and shortens the original song considerably, starting out slow and building to a fun finish. First performed by Loveland HS “Revolution” in 2020. | |||
Fergie’s iconic song from the 2013 The Great Gatsby movie adaptation has quickly become a favorite among show choirs across the country! This energetic and vibrant arrangement is perfect as an opener or closer for your show choir performance. Designed for SATB choirs, this arrangement can also be easily adapted for SAB (by omitting the tenor part) or SSA (by omitting both the tenor and bass parts), making it versatile for choirs of different voice configurations. |